Tag Archives: Gigs

Pineapple Thief, Classic Grand March 21st, Acts 26 &27

Pineapple Thief, Classic Grand March 21st, Acts 26 &27

Just a run of the mill gig, for me. Spanner’s a fan, so I went along with him. Support band, Second Skin, seemed determined to cram four or five ideas into every tune and have every footpedal in their array switched up to 11. After their set, they stood right next to us at the bar and blethered incessantly through the PT set. Had Billy Bones been here, I’m quite sure he would have had words with them, however he wasn’t and as they were quite large with many tattoos, I just tuned them out!

I’ve had Pineapple Thief described to me as sounding like Porcupine Tree’s wee brothers and that’s not too far off the mark. Prog Rock? Too much Rock and not enough Prog for these ageing ears. Last night of the tour and no goodies left on the merch stall for Spanner to buy. The Classic Grand’s a fine wee venue.

Johnny Glasgow, Roman Camp Hotel Callander, 19th March Act #25

One of the downsides of being such a popular blogger is being asked along to lots of freebies and fabulous events and, as I can’t be everywhere at once, I sometimes have to decline and as such disappoint. However on this night, I made an exception, I was attending the lovely Helen Marnie of Ladytron’s wedding at the Roman Camp Hotel in Callander.

While the city of Glasgow was drinking in, and enjoying, the Magner’s Comedy Festival, we were treated to an impromptu performance by an erstwhile Harpenden stand up legend, Johnny Glasgow, trying out new material on some hicks from the sticks.
The truncated set varied in style from existentialist, proto-Ben Elton stuff to what can only be described as ’Chic Murray post bells’. At his best, Mr Glasgow is certainly biting at the ankles of Tim Vine (I went to my door to be confronted by a man with black paintbrush in hand “ Go away and never darken my doorstep again!”) but occasionally lapsed with poorer Tommy Cooper style material (Man came to my door and asked do you want a window cleaner? No, I want all my windows cleaner!) However he got a rousing reception from the audience which also saw me trotting over to shake his hand to congratulate him at the conclusion.

Colin Blunstone, The Ferry, 11th March Act#17

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McSorleys, Jamaica St, and Billy Bones was first to arrive, before being joined by Shields and me and finally Spanner. A few beers and then we wandered along to the gig. It was still quite quiet when we arrived and the folk who had opted for the Dinner Package were, sitting at their tables, looking across an empty floor at the stage. Ever the gentlemen, Billy B and I removed ourselves to the side of the hall where we wouldn’t spoil anyone’s view. Spanner & Shields, however, decided to pick their spot and unfortunately this was right in front of a table occupied by either Boycie (Only Fools and Horses) or at least someone who could be employed as his stunt double. The body language, and ensuing debate, confirmed The Publican and my suspicions that this hadn’t gone down well. Chivalrous to the end, I remained leaning on a pillar to watch my beloved tell Boycie, in no uncertain terms, that she was staying put.

All this was, unfortunately, interupted by The Colin Blunstone Band coming on stage and plying their trade. The first two tunes were seriously middle of the road tosh and had me wishing that I’d stayed a little longer in McSorleys. The second one, in particular, was so like Eye of The Tiger that I sang that tune, to my chum, to prove that you could.

Then a sudden gear-change, he sang Jimmy Ruffin’s What Becomes of The Broken Hearted, with that Dave Stewart arrangement, started telling some stories about the olden days, meeting The Beatles, travelling to the studio by bus while Rod Argent drove a Rolls -Royce etc. and eventually it turned out a fine night.

Second half, we moved centre stage (Boycie had now stood up like everyone else) and, while standing there, I suddenly realised that it wasn’t a Nehru suit he was wearing and exactly where Justin Currie’s trousers had gone.

I had also marvelled at the way Colin carried his hands throughout the night and noticed that two giant strings went up to the ceiling, off to the back of the hall and were being ‘worked’ by two retired Gerry Anderson puppeteers.

What a night, not as good as The Zombies but still a great singer!

Hands, in “Supermarionation”, attempt to draw attention away from stolen troos!

Hands, in “Supermarionation”, attempt to draw attention away from stolen troos!

Jack Bruce, The Arches, 5th March,Act 24

Sunday, 21 August 2011

Surprisingly, this wasn’t a sell out. There was certainly a lot less people here than there was last week when we came to see Goblin. Tonight I’m joined by Shields, Rhurshach, Billy Bonesl, The Difficult to Contact Accountant and The Young Hotelier.

The Ronnie Scott’s Blues Experience opened up the festivities and I assumed that they would play a couple of tunes before shepherding Jack stagewards.

Flawless, but workmanlike, they overstayed their welcome somewhat (although their version of Junco Partner was indeed quite sublime). At this point, the sound was a little ‘bass heavy’ and I put this down to ‘Mr. Soundguy’ having left Jack’s particular slider settings ‘up’ on the board.

Eventually, it was time to put our hands together and on he came. A driving bass line and a punchy three strong horn section had the hairs on my neck looking at each other to see if they should stand up or not. “Fuck me,” thinks I, “he’s playing Never Tell Your Mother She’s Out of Tune”. In all the years I’ve been going to see JB, he’s never done this. Mind racing, I immediately fantasise that he’s going to do the whole of Songs For  A Tailor and, for thirty seconds or so, slowly begin to levitate, to the amazement of those standing nearby. The opening vocal line ‘When I hear that big black whistle they blow!’ comes squeezing out of the PA and suddenly Designated Driver, Bill and I all look at each other – the sound’s really bad. Can’t put my finger on it but somethings quite awry.
The moment’s gone, neck hairs stand down and my adrenaline level reverts to normal. I go for a beer quite crestfallen, on returning I find the sounds getting better but it’s still selling him short. Quick sprint to/back from the toilets and by the time the third song’s begun it’s getting closer to what it should have been all along. Material wise there were no surprises, but no complaints either, We’re Going Wrong, Spoonful, White Room all the usual suspects.

Tony Remy is a fine guitarist and his mammy must be proud of him but I couldn’t engage at all with what he was doing. I was reminded of another earlier JB gig at The Fruitmarket. Vernon Reid was all technique over feeling. Soulless!!!

The last song and a half, Jack developed an amplifier fault which resulted in a roadie crouched next to the amplifier in question doing something far too technical to discern from our vantage point. Again, it takes me back to the last time I saw him at The Academy and Robin Trower’s amp suddenly went on fire. Change your equipment supplier, Jack!

During the show, I noticed Jack’s ears begin to grow, I thought I was imagining it but realised he was slowly inflating them via a small footpump, on stage. By the end of the gig it was a surreal sight. Roadie couched on stage and Dumbo playing Cream songs. A good night!

Jack has a cooling, post gig, drink as ears deflate back into the vicinity of normality!

Jack has a cooling, post gig, drink as ears deflate back into the vicinity of normality!