Tag Archives: Gigs

Ringo Starr, Clyde Auditorium, 23rd July, Act # 35

Ringo pauses to check contents of incontinence pouch!

Ringo pauses to check contents of incontinence pouch!

One wonders why Ringo Starr bothers. What with his Thomas the Tank royalties and the ensuing repeats fees that they must accrue, he obviously doesn’t need the money. You can understand his ol mucker Macca having to reluctantly work past normal retiral age, as after all, he has to share most of his early songwriting 50/50 with that other one, that one that got shot. However, once again I digress………

Shields and I meet up with Billy Bones in The Brass Monkey. The Difficult to Contact Accountant is living up to his name and gone awol. We eventually move to the bar of the Crowne Plaza for a drink, before the show begins and meet him and Mother Theresa there. The tickets state Ringo Starr and His All Starr Band plus Special Guests at 19:30 (All Starrs?, the Trades Descriptions folk are still refusing to return all my calls to date) .This is a pale imitation of the previous line-ups this band has had, check them out on Wikipedia, This is the first time in Glasgow and I reckon we were sold a pup as they say!

At 19:32, a helpful eavesdropping barman suggests that Ringo may already have begun beating the skins. We make, with haste, towards ‘the Armadillo’, through the usual maze of connecting corridors. On the way, we ask an usherette if there’s any way we could all sit together and to my astonishment and delight, she radios ahead, confides to us that sales have been poor for tonight, and gets us all in the one row sitting together.
We tiptoe into the hall while the band plod their way through Hang On Sloopy and plunk ourselves down. Within perhaps thirty seconds of realising “I’m under the same roof as a Beatle”, I twig something is seriously wrong too. The ratio of normal gig-goers to windowlickers is seriously skewed here. Everyone seems to want to demonstrate that they can clap and sing along to whatever tune the All Starrs throw up.However it would appear many audients are hearing different tunes!
One wonders why Ringo Starr bothers. What  with his Thomas the Tank royalties and the ensuing repeats fees that  they must accrue, he obviously doesn’t need the money. You can  understand his ol mucker Macca having to reluctantly work past normal  retiral age, as after all, he has to share most of his early songwriting  50/50 with that other one, that one that got shot. However, once again I  digress&hellip;&hellip;&hellip;<br />
Shields and I meet up with Billy Bones in The Brass Monkey. The Difficult to Contact Accountant is living up to his name and gone awol. We eventually move to the bar  of the Crowne Plaza for a drink, before the show begins and meet him and  Mother Theresa there. The tickets state Ringo Starr and His All Starr  Band plus Special Guests at 19:30 (All Starrs?, the Trades Descriptions  folk are still refusing to return all my calls to date) .This is a pale imitation of the previous line-ups this band has had, check them out on Wikipedia, This is the first time in Glasgow and I reckon we were sold a pup as they say!<br />
At 19:32, a helpful eavesdropping barman  suggests that Ringo may already have begun beating the skins. We make,  with haste, towards &lsquo;the Armadillo&rsquo;, through the usual maze of  connecting corridors. On the way, we ask an usherette if there&rsquo;s any way  we could all sit together and to my astonishment and delight, she  radios ahead, confides to us that sales have been poor for tonight, and  gets us all in the one row sitting together.We tiptoe into the hall  while the band plod their way through Hang On Sloopy and plunk ourselves  down. Within perhaps thirty seconds of realising &ldquo;I&rsquo;m under the same roof as a Beatle&rdquo;,  I twig something is seriously wrong too. The ratio of normal gig-goers  to windowlickers is seriously skewed here. Everyone seems to want to  demonstrate that they can clap and sing along to whatever tune the All  Starrs throw up.However it would appear many audients are hearing  different tunes!<br />
The band are lined up across the stage in  front of a lurid backdrop that Billy Butlin, in his prime, might well have  considered as too kitsch. The 'cheese-ometer&rsquo; is bouncing in the red, tonight!<br />
Edgar Winter, brother of Johnny the albino  bluesman, the one that Mike and Bernie never talk about, and who talks  like Foghorn Leghorn, demonstrates his chops on keys and horns.  Normally, I wouldn&rsquo;t snigger at a partially blind man, knocking over  several mike stands, as he &rsquo;gets into it, maan!&rsquo; but tonight&rsquo;s  not normal. Centuries ago I was in a band, It Conquered The World, that  played 'Frankenstein&rsquo; and if our version wasn&rsquo;t actually better than  tonight&rsquo;s offering, then Honey, it&rsquo;s time to salt and pepper my homburg and pass me the cutlery!<br />
Rick Derringer has aged quite a bit since  last I saw him and nowadays resembles one of the older Osmonds.His party  piece is Rock 'n&rsquo; Roll Hootchie Koo which just about sums up the  evening. Gary Wright, introducing 'Dreamweaver&rsquo;, name checks George  Harrison which nearly brings the house down. By the time Richard Page  serenades us with (Take These) Broken Wings, I&rsquo;m sliding down in my seat in case  anybody I know sees me here. Then Ringo steps down from the riser to do  his bit and while he sings Peace Dream<br />
&ldquo;So try to imagine if we give peace a chanceAll the world could be living in harmonyOne day our dream could be reality, reality&rdquo;<br />
I realise he must be wearing some sort of  incontinence device. No one&rsquo;s that shape immediately below the belt,  apart from perhaps Bertie Basset. How very odd!<br />
Then as suddenly as it  began, following a rather limp Give Peace A Chance, we&rsquo;re released from our  purgatory and scuttle back to the bar to discover that it&rsquo;s still  daylight and only twenty past nine. Rock and Roll, indeed!

The band are lined up across the stage in front of a lurid backdrop that Billy Butlin, in his prime, might well have considered as too kitsch. The ‘cheese-ometer’ is bouncing in the red, tonight!

Edgar Winter, brother of Johnny the albino bluesman, the one that Mike and Bernie never talk about, and who talks like Foghorn Leghorn, demonstrates his chops on keys and horns. Normally, I wouldn’t snigger at a partially blind man, knocking over several mike stands, as he ’gets into it, maan!’ but tonight’s not normal. Centuries ago I was in a band, It Conquered The World, that played ‘Frankenstein’ and if our version wasn’t actually better than tonight’s offering, then Honey, it’s time to salt and pepper my homburg and pass me the cutlery!

Rick Derringer has aged quite a bit since last I saw him and nowadays resembles one of the older Osmonds.His party piece is Rock ‘n’ Roll Hootchie Koo which just about sums up the evening. Gary Wright, introducing ‘Dreamweaver’, name checks George Harrison which nearly brings the house down. By the time Richard Page serenades us with (Take These) Broken Wings, I’m sliding down in my seat in case anybody I know sees me here. Then Ringo steps down from the riser to do his bit and while he sings Peace Dream

“So try to imagine if we give peace a chance
All the world could be living in harmony
One day our dream could be reality, reality”

I realise he must be wearing some sort of incontinence device. No one’s that shape immediately below the belt, apart from perhaps Bertie Basset. How very odd!

Then as suddenly as it began, following a rather limp Give Peace A Chance, we’re released from our purgatory and scuttle back to the bar to discover that it’s still daylight and only twenty past nine. Rock and Roll, indeed!

Former Beatle presents a shadow of his former band(s)

Former Beatle presents a shadow of his former band(s)

Leon Russell, City Hall,1st July, Act#37

With a few right stinkers of gigs under my belt recently, it was hoped that Leon R would pull something out of the hat, and what a hat it was. The good thing about these city festivals (Jazzfest, Celtic Connections etc) is you can set your watch by them generally. If the ticket say half seven then that’s when the act steps on stage. Billy Bones, me and Shields met up in what is by far the best city centre ale pub, Blackfriars.

We moved round the corner early doors to discover that the crowd was being shepherded into their seats. ‘Is there a bar, can I take a drink into the hall and is there an interval? I am not an alcoholic!’ I blurted out to the usher who answerd no to all my questions and advised that the show was about to commence.

leonFirst time in this hall since it’s refurb and very impressed (though not really taken with the colour that the walls and pillars were painted)

Leon Russell (the nearest I’ve seen to a South Park cartoon made flesh) walked slowly on stage  and wondered aloud how he came to be playing at an International Festival “Seems that sometimes you have to come across an ocean to realise you’re a jazz musician,”. He then played for the next half hour solid but it wasn’t until he started telling between song anecdotes about ‘Bobby Dylan’, Joe Cocker etc. that the show really took off. I’m not an Elton John fan, far from it, but he’s done the music world a great favour by recording The Union with Leon and in doing so, introducing him to a whole strata of listeners that would never have heard of him. His band, two guitars , bass & drums, clearly love the man and are all impressive players to boot, all getting a small solo spot of their own. Chris Simmons in particular is impressive and makes blues noises the likes of which I haven’t heard for decades. Leon’s own style embraces many others, he even plays that Susan Boyle song ‘Wild Horses’!

leon2

So bad are his legs that for the encore, he stands at his piano and asks that we pretend he’s gone backstage with the rest of the band before they return and regale us with a Chuck Berry medley. A fine wee night!

The Beat Poets,Brel, 29th June, Act#36

The Beat Poets,Brel, 29th June, Act#36

Lured in by the blurb in the Jazzfest advertisement Their own tunes sometimes come spiced with idiosyncratic covers of Monk and Beefheart. – well you would be wouldn’t you? This was a curious one.

The soundcheck sounded great while we were being served by Champion Condescending Barman (West of Scotland Division) in the bar (tonight we were Shields and I and The Professor, Womanly Arms and Jazz Alan, the three of whom had just been to see BrassJaw) however during the gig itself, for such a sizeable line up, they were nothing to write home about, so I won’t!.
A disappointing ‘hobby band’ who, yes, actually played Blue Monk but no Van Vliet.

laki mera, Captains Rest, 22nd June, Act#34

laki

You know you’re really getting old when you go to see a band, notice their rather obvious parents and realise that you’re old enough to be THEIR parents.

Much has been said already comparing this band with Massive Attack, Portishead and Liz Fraser.

While Laura Docherty is certainly an unusual  singer, Laki Mera aren’t any of the above and should be applauded for that. Confident, different and also deploying more equipment than most, if not all, of the bands that I ever saw at The Apollo, they are I feel two bands operating under the one banner.

They either play pumping electro dance music one minute or pastoral & pretty songs, accompanied only by acoustic guitar and the palest of synth washes, the next. During some of the latter type tunes, I found my mind wandering a few times, in one particularly vivid daydream, Elvis Presley doesn’t visit Prestwick, instead it’s a young Georgio Moroder and while there he impregnates a star struck airport cleaner whose offspring are now here onstage today. During another dwam I speculate how a Greek person would greet the band in the morning (Calimera, Laki Mera!) Ultimately I suppose I was disappointed, as I first saw this crowd eighteen months ago in the 13th Note and on that occasion they performed well and showed a lot of promise. Tonight they performed just as well, however I feel they haven’t progressed as much as Spanner and I would have liked/expected.